Culture & Heritage · Holy Cross Church (entrance in basement), Cromer Street
Kathak Dance Class for Beginners (Indian Classical Dance & Movement)
Come and join us as we learn the basics of kathak dance and movement at a comfortable pace with a professional classical dancer.
What you will experience
Our Artistic Director Amina Khayyam will set the scene in her own words. Then you'll learn classical and dance movement at a comfortable pace in a classical dance & kathak-inspired setting. I’ll close with a moment to reflect together and say goodbye.
Included
What you should bring or pay for
- Please bring a bottle of water and a small towel.
- Classes are taken barefoot.
Access and participation
Meeting point
Hosted by
Amina Khayyam Dance Company
Cultural host · New to Kulturely
Amina Khayyam is the Founder & Artistic Director of AKDC. A critically acclaimed performer, choreographer and dance theatre maker, Amina estimates she has donned the kathak costume for over 1000 performances throughout her career from professional productions on international stages to schools, community centres and charity events. Amina Khayyam began her Kathak dance training with Alpana Sengupta in Croydon progressing to professional level with Sushmita Ghosh at The Bhavan (London) under whose guidance she made her professional debut at the Purcell Room, Southbank. Apart from performing and choreographing, she continues to lead intergenerational workshops with various ages from the least engaged and disenfranchised sectors. Amina’s relationship with kathak in her earlier years was marked by difficulty and obstacle having to escape cultural restriction to attend classes – a world she has not forgotten but returned to make it a source to make all her work. Her first professional choreographic piece “Laal Shaari”, selected to perform as part of ROH Firsts saw her research with Bangladeshi women of over 50's. The process extended to empowering their creativity bringing it to final production such as a tableux of washerwomen in a dance sequence in Yerma, or the thousand dolls made as back-drop for A Thousand Faces. Strong bonds have been developed with this sector where they have become first time users of mainstream arts spaces, individuals have been engaged to be creative, expressive and empowered – a skill level that has fed into pioneering the Outreach section of her company, treated as equally important to performance work.
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